美國EV RE20 N/D專業(yè)懸掛式主持人話筒

EV RE20 動圈式大振膜超心型廣播級有線話筒

Eiectro Voice 公司出品的RE20單一指向?qū)I(yè)動圈話筒是專門為錄音、廣播和擴音設(shè)計的,它具有極廣的頻率響應(yīng)和優(yōu)秀的瞬態(tài)反應(yīng),這使其能與最好的心型指向電容話筒相婫美,操作簡單的bass tlit down開關(guān)為遠距離使用或需要低音滾降的場合提供了極大方便,心型指向模式能最大程度地減少回饋并能有效防止外界信號干擾,拾音清晰細膩。它還帶有一體化的防爆破音和防風(fēng)過濾裝置,這令使用者幾乎貼著話筒進行表演而無需擔(dān)心咝咝聲,此外RE20結(jié)構(gòu)堅固,經(jīng)久耐用,多年來一直是專業(yè)廣播、錄音始終如一的選擇。

近距離也能有好的效果、心型指向、45—18KHz的頻響、阻抗，低阻平衡150Ω、強風(fēng)噪聲濾波、附安裝配件.

性能特點:

廣播主持和錄音室旁白的選擇

頻率響應(yīng)極鍵無須電源并能避免超載

具有大振膜和簡潔的鋁制線圈并配有鐵盒,可有效防磁

心型指向模式能最大程度地減少回饋并能有效防止外界信號干擾,拾音清晰細膩

雙通道,continuously Variable-D? with　最小的近鄰效應(yīng)

非常適合樂器錄音,特別是地鼓和原聲吉他

技術(shù)指標:

話筒類型: 動圈話筒

指向性: 心型

頻率響應(yīng): 45Hz-18KHz

輸出電平: (1000赫茲條件下)

開路電平: 1.5mv.

輸出阻抗: 150歐姆

相性: 對振動膜施加電壓時,2號插腳相對于3號插腳為正電壓

Power level: -57dB

Hum plck up level: -130dB

話筒連接: 三腳專用音響插頭(XLR陽性插頭給予最大傳導(dǎo)性)

隨機附件：81715話筒架適配器

選購附件：309型防震話筒架適配器，用于落地架或錄音吊桿

The Electro-Voice RE20 is a professional-quality dynamic cardioid microphone created specially for recording, broadcast and sound-reinforcement applications requiring essentially flat response over a very wide frequency range. The wide frequency response, coupled with excellent transient response, make the RE20 easily comparable to the finest condenser cardioid microphones. It is designe for critical recording and broadcasting and has a smooth & accurate peak-free response, even up close, which makes it ideal in both the studio and in voice-over announcing booths.

The RE20’s bass roll-off switch and EV’s Variable-D technology ensures true and accurate response across all frequencies without the up-close boominess associated with proximity effect. It gives the same response at varying distances.

Variable-D designed microphones, like the RE20, can be used very close to other sound sources with no loss in clarity or definition. This makes them the preferred choice for tight vocals and challenging instruments such as brass.

A true cardioid microphone, the RE20 offers greatest rejection at 180o off axis - directly to the rear of the microphone. Pattern control is so consistent that the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing greatest possible rejection of unwanted sounds.

An integral blast and wind filter covers each acoustic opening on the RE20. In recording sessions or on stage, singers can “close talk” the microphone, singing with their lips almost touching the grille screen with no worry of “P-pops” or excessive sibilance. Part of the filter also shock mounts the internal microphone element, reducing the transfer of vibrations from external sources.

The exceptional performance of the RE20 is achieved by using a large Acoustalloy diaphragm in combination with an exceptionally low-mass aluminum voice coil. Using this diaphragm assembly, the RE20 is capable of reproducing extremely high sound pressure levels with no fear of the overload and distortion often experienced with phantompowered condensers.

The RE20 will continue to function flawlessly in high humidity and elevated temperatures that would seriously degrade competitive condenser microphones.

A massive steel housing and effective hum-bucking coil assure the RE20’s resistance to magnetically induced hum and noise. This means the RE20 can be used successfully in situations where other microphones would experience unacceptable levels of hum and buzz. By exploiting the strength of its steel housing and employing a mechanical nesting concept, EV designers have created an exceptionally rugged microphone with superior handling noise rejection ideally suited for professional uses.

The bass-boosting proximity effect common to most directional microphones when used close to the sound source, is eliminated in the RE20. This is accomplished via the application of the EVexclusive Variable-D? technology. By controlling the effect of microphone proximity, the RE20 can be located very close to sound sources without a loss in clarity or definition making the RE20 ideal for tight vocals and challenging instruments. It can be used inside bass drums, on acoustic guitars, and is found in voice booths and broadcasting studios everywhere.

The microphone is a cardioid type with an integral blast filter protecting all acoustic openings. The blast filter serves as a shock mount for the internal microphone element. The microphone has a wide-range uniform frequency response from 45-18,000 Hz. An integral passive network is provided so that when the filter switch is in the “on” position, low-frequency response shall tilt down 4.5 dB from 400-100 Hz. With switch in “off” position, microphone is essentially “flat” from 80-6,000 Hz, with a broad 2.5 dB rise in response from 6,000-14,000 Hz, and nominally down3 dB at 18,000 Hz.

Response below 80 Hz is nominally down 3 dB at 45 Hz. Output level is -57 dB (0 dB = 1 mW/Pascal). Nominal impedance of 150 ohms. Response at any angular position away from the major axis is essentially similar to the response on the major axis, but attenuated uniformly at all frequencies by an amount appropriate to that angular position.

Attenuation at frequencies from 45-10,000 Hz (refer to major axis signal value) exceeds 15 dB at 180° from major axis in any plane. Attenuation above 10,000 Hz exceeds 13 dB. Polar characteristics are sufficiently uniform in all planes so that it is, effectively, a cardioid of revolution. This microphone has a shield to prevent dust and iron particles from reaching the diaphragm. The case is made of steel. The microphone has a diameter of 54.4 mm (2.14 in.), a body diameter of 49.2 mm (1.94 in.) and a length of 216.7 mm (8.53 in.). A stand adapter is supplied.